natalie jane hill
photo by Julian Neel
Tom Johnson's premiere of 'Orb Weaver' for Goldflakepaint
Nathan Lankford's review of 'Orb Weaver' for Austin Town Hall
'Orb Weaver' tops the "5 Things We Liked This Week" List on For The Rabbits
Lar Gotrich's review of 'Orb Weaver' for NPR's "Now Playing"
The Bluegrass Situation's premiere of 'PAFTDNGH'
Bob Fish's review of 'Solely' for Folk Radio UK
Jeff Gimmel's review for Old Grey Cat
Review of 'Solely' for The Tape Deck
Peter Blackstock's review of 'Solely' for Austin American Statesman
Rachel Rascoe's review of 'Solely' for the Austin Chronicle
Digital Cover story on Northen Sky Review
Jonathan Aird's review of 'Solely' for Americana UK
New Commute's Top Albums of 2021
Goldflakepaint's Top Albums of 2021
Jennifer Kelly's review of 'Solely' for Dusted
'Solely,' the sophomore effort by folk guitarist/singer-songwriter Natalie Jane Hill, is a record of transition. While the Central Texas native’s stunning debut “Azalea” grew from years spent developing a textural narrative voice and idiosyncratic guitar style in the vibrant Blue Ridge Mountains, “Solely” represents a period of inward growth, and an outward push into an expanded sonic palette.
Following a move back to the Austin area in the fall of 2019, just months ahead of the pandemic, Natalie began an intensive period of
reflection, and expanded her song-craft’s foundations from the broader themes of nature into the vulnerable intricacies of self-discovery. Along with this process came an openness to external creative input.
Recorded between October 2020-March 2021 to Tascam 8 track in the Lockhart Texas home of producer Jason Chronis (Voxtrot, Tele Novella), these recordings represent Hill’s first incorporation of other musicians into her arrangements, featuring performances by Mat Davidson (Twain) among several other trusted friends. There is a liberating and careful grace in these collaborations, providing strength andcolor to the upper branches of each song while preserving space for the health of the roots.
'Solely' is a celebration of knowing ourselves well enough to be able to accept the darkest paths of introspection, which can allow us to combine our creative influence with others to construct the experiences we want to have. Like lived experience itself, this music breathes and inhabits the space you allow for it, constantly revealing new qualities and inviting repeated reflection.
releases on DLR: